Release copy for electronic producers, written in your subgenre's voice.

Spotify pitch, Beatport, SoundCloud, label demo email, press release, IG, TikTok, X. Eight pieces of release copy in the voice of your subgenre. Thirteen subgenres covered — from dubstep and riddim to afro house, melodic techno, and phonk. $9 per track. No subscription.

Generate for $9

No account, no subscription. Results land in your inbox in under a minute.

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How it works

1

Describe the track.

Title, BPM, key, mood, the story behind it. Takes 90 seconds.

2

Pay $9.

One-time, per release. No subscription, no account, no upsell.

3

Get your release kit.

Eight pieces of platform-ready copy in your inbox in under a minute. Copy any of them. Regenerate any of them. Download all as .txt.

This is what you get.

Below is a real Predrop generation for a fictional dubstep track. Three of the eight outputs shown — the rest follow the same voice across SoundCloud, label demo email, press release, TikTok, and X.

Track:TrailArtist:[your name here]Genre:DubstepBPM:140Key:A minorMood:melancholic, atmospheric, late-nightStory:Made the week after I quit my job. The whole thing felt like a long exhale.
Beatport description
"Trail" lands at the quieter end of 140 — a melodic dubstep cut built on patient sub design, restrained mid-range work, and a long breakdown that takes its time. The track skips the impact-driven drop for something closer to a sustained mood: heavy without aggression, melancholy without being heavy. Made in the week after a major life transition, the track plays like the producer figuring out how to feel about it in real time. Best on late-night sets, in headphone rooms, and on producer-leaning playlists.
Spotify editorial pitch
"Trail" is a melodic dubstep cut at 140 — patient sub design, a long breakdown, and a drop that lands without trying to win the room. Made the week after a major life transition, the track plays like an exhale rather than an impact. For melodic dubstep, late-night bass, headphone sets, and quieter rooms.
Instagram caption
out tonight. made trail the week after i quit my job. the whole thing felt like a long exhale. #dubstep #melodicdubstep #140 #newmusic #producer
Generate for $9

Questions

Is this just ChatGPT?

No. ChatGPT writes generic music copy with the same vocabulary regardless of genre — and producers can smell it. Predrop runs five subgenre-specific voice prompts that have been pressure-tested against real producer tracks, plus automatic checks that regenerate output if it falls into common AI clichés. The dubstep voice doesn't sound like the trance voice. Neither sounds like a marketing agency.

What if the output isn't right?

Regenerate any of the eight outputs individually for free, as many times as you want, for the next 24 hours. If the output is consistently bad — the kind of bad you'd cringe to put on Beatport — that's a bug and we want to know. Email us.

Do I need an account?

No. Fill out the form, pay, and your results show up at a private link plus in your inbox. The link works for 24 hours. We don't store accounts, dashboards, or histories — just the email you used at checkout, kept on Stripe.

Which genres do you cover?

Thirteen subgenres across the bass, house, trance/techno, and hard families: dubstep, riddim, drum and bass, phonk; house, deep house, tech house, progressive house, afro house, UK garage; trance, melodic techno; and hardstyle. Each one has its own voice profile pressure-tested against real producer tracks. If you produce outside these, the tool will not work as well — we chose to do these subgenres deeply rather than every genre shallowly.

Why only release copy? What about cover art, mastering, or a label database?

Not yet. We chose release copy because it's the part of releases producers complain about most, and the part where AI can actually do well. Cover art, mastering, and outreach databases are on the roadmap. We'd rather do release copy excellently than five things mediocrely.

Couldn't I just write this myself?

Yes. Most producers do, and most release copy is bad — because writing isn't what producers are good at. Production is. You spent six months on the track. Spend 90 seconds and $9 on the copy, then go make the next one.